Black Noise Rap Music and Black Culture in Contemporary America Music / Culture Tricia Rose 9780819562753 BooksRead onlineBlack%20Noise%20Rap%20Music%20and%20Black%20Culture%20in%20Contemporary%20America%20Music%20%2F%20Culture%20Tricia%20Rose%209780819562753%20Books ZUM
Winner of the American Book Award from the Before Columbus Foundation (1995)
From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it.
Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men.
But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself."
Tricia Rose,Black Noise Rap Music and Black Culture in Contemporary America (Music / Culture),Wesleyan University Press,0819562750,Ethnomusicology,USA,African Americans - Music - History and criticism,African Americans;Music;History and criticism.,Popular culture - United States,Popular culture;United States.,Rap (Music) - History and criticism,Rap (Music);History and criticism.,African American,African Americans,Ancient (Classical) Greek,Black studies,Contemporary popular music,Ethnic Studies - African American Studies - General,Ethnic studies,Genres Styles - Rap Hip Hop,History,History and criticism,MUSIC / Ethnomusicology,MUSIC / General,MUSIC / Genres Styles / Rap Hip Hop,Music,Music/Songbooks,Music; African-American Studies; Cultural Studies,Music;African-American Studies;Cultural Studies,Non-Fiction,Popular culture,Rap Hip-Hop,Rap (Music),Rap (Music) - History and criticism,Rap (Music);History and criticism.,SOCIAL SCIENCE / Anthropology / Cultural Social,SOCIAL SCIENCE / Ethnic Studies / African American Studies,Scholarly/Graduate,Social Science/Ethnic Studies - American - African American Studies,UNIVERSITY PRESS,USA,United States,Ethnic Studies - African American Studies - General,Genres Styles - Rap Hip Hop,MUSIC / Ethnomusicology,MUSIC / General,MUSIC / Genres Styles / Rap Hip Hop,SOCIAL SCIENCE / Anthropology / Cultural Social,SOCIAL SCIENCE / Ethnic Studies / African American Studies,Social Science/Ethnic Studies - American - African American Studies,Music/Songbooks,African Americans,History and criticism,Popular culture,Rap (Music),United States,Music,Ancient (Classical) Greek,Black studies,Contemporary popular music,Ethnic studies,Rap Hip-Hop
Black Noise Rap Music and Black Culture in Contemporary America (Music / Culture) [Tricia Rose] on . bWinner of the American Book Award from the Before Columbus Foundation (1995)/b From its beginnings in hip hop culture
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